How to Write Redemption

Everyone loves a good redemption story. It is one of the aspects that I believe helped make the original Star Wars trilogy so endearing: Watching Darth Vader rise from darkness to save his son. Redemption is also a hopeful message. Not only does it assure us that anyone can become the good guy, it gives a feeling of control. If these characters are so in charge of their destiny, than maybe we can be too.

Today’s post looks at some ways to write a successful redemption arc. This is by no means a definitive “how-to.” Writing is variable and unique – pretty much every rule can be broken by someone who knows what they’re doing to achieve a powerful effect.

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The Mummy: Universal’s Misfit

Continuing my Universal Classic Monsters marathon and exposing my wife to movies she probably would have been fine never watching, I turned to The original Mummy series, which ran for six films from 1932 to 1955. As I believe I have mentioned previously, I’ve always been a huge fan of Universal Classic Monsters. As a kid, I begged my parents for the DVD set – and before that I was collecting VHS tapes during the 90s (which had amazing box art by the way).

Universal Classic Monsters The Mummy VHS
I’m trying to think if I ever owned this one or if I viewed it for the first time on DVD. I know I had about four or five.

But, with all that said, I was never a fan of The Mummy. Even as a kid, I only watched this film once. I found it dull and disappointing. After all, I pictured a mummy as a monster in bandages, whereas the 1932 film sheds these after a single sequence. I remember referring to it as “watching a guy kill people through a mirror for an hour and a half.”

My interests have of course evolved since then, and I enjoy many movies now that I did not as a child. So I was curious to see how I would react to The Mummy watching it as an adult. To give you the short version: I think my eight-year old self had some good points.

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How Voice Separates Children of Blood and Bone from Avatar: The Last Airbender

Picture a world where certain people are gifted with mastery of the elements. It is a land that lived in relative harmony until an ambitious king seized power by launching an unexpected attack. Our protagonist is a young adult, one of the last of her kind – a people being driven to extinction in these turbulent times. She teams up with her brother and a third friend to try and restore balance – but she must do so before the solstice. Also, she is being hunted by the son of said evil king, but said prince is emotionally conflicted.

Sound familiar? Let me give you a hint:

Except not quite. A similar idea breathes new life in Tomi Adeyemi’s Children of Blood of Bone.

Continue reading How Voice Separates Children of Blood and Bone from Avatar: The Last Airbender