How Voice Separates Children of Blood and Bone from Avatar: The Last Airbender

Picture a world where certain people are gifted with mastery of the elements. It is a land that lived in relative harmony until an ambitious king seized power by launching an unexpected attack. Our protagonist is a young adult, one of the last of her kind – a people being driven to extinction in these turbulent times. She teams up with her brother and a third friend to try and restore balance – but she must do so before the solstice. Also, she is being hunted by the son of said evil king, but said prince is emotionally conflicted.

Sound familiar? Let me give you a hint:

Except not quite. A similar idea breathes new life in Tomi Adeyemi’s Children of Blood of Bone.

Continue reading How Voice Separates Children of Blood and Bone from Avatar: The Last Airbender

Us: Dissecting Jordan Peele’s Sophomore Effort

Us 2019

Last night, I had the good fortune to see over 95% of Jordan Peele’s newest film, Us. I know what you’re wondering – the missing 0-5% came when I had to go let my brother into the theater. Luckily, it was in the beginning of the film, and I didn’t miss much from a narrative standpoint. I definitely saw enough to form an opinion. So – Us, is it good? Is it as good as Get Out?

Continue reading Us: Dissecting Jordan Peele’s Sophomore Effort