You know, I’m going to stop doubting Pixar when it comes to Toy Story movies. After 2, I was skeptical of 3, and after 3 – man did I not think 4 was going to be anything special. Somehow, however, Pixar has managed to defy the law of diminishing returns and Toy Story 4 is as amazing (if not more so) than its predecessors. From its characters to its dialogue to its unbelievable sense of self-awareness, Toy Story 4 is an unexpected gem.
But there’s one thing in particular I want to focus on: Walking out of the theater, I got the sense that the story was more familiar than I had initially thought. I’m not calling Toy Story 4 a rip-off, not by a long shot…but it definitely takes a lot of inspiration from a very unlikely source. When I call Toy Story 4 Pixar’s version of Frankenstein, please know that I’m not talking about Forky – well, not just about Forky.
So, when I started writing my review of 2019’s Godzilla: King of the Monsters, I had difficulty. It wasn’t that I didn’t have anything to say (I can always find an excuse to share my opinion), it was that the conversation around the film changed so rapidly. I’m part of several Godzilla fan groups on social media and almost overnight I saw the tone of the conversation shift from eager excitement to guarded, sometimes pointed defense of the film. The reason? Actually – there are 177 of them. As of the time of this writing, that is the amount of negative critical reviews present of Godzilla: King of the Monsters on Rotten Tomatoes.
Avatar: the Last Airbender and Legend of Korra show creator Bryan Konietzko once said that the best stories have endings. What he meant was that, no matter how much we love certain characters, eventually we have to realize that their narrative journey is over and move on. In Avengers: Endgame, the MCU likely came as close as it ever will to providing this type of closure.