Whenever people ask me to name my top ten films, I can’t do it. How do you narrow down hundreds of exceptional motion pictures to a measly top ten? I’m sure if I thought long and hard enough about it, I could make it work – but I just don’t have that kind of time.
I am, however, always able to answer the question: “What’s you favorite movie?”
King Kong – the original 1933 stop-motion special effects film starring Fay Wray, Robert Armstrong, and Bruce Cabot; directed by Merian C. Cooper and Ernest B. Schoedsack. I don’t know how young I was when I first saw it but I have watched it countless times since. It, more than any film, impacted my sense of creativity and my desire to tell stories.
Continuing my Universal Classic Monsters marathon and exposing my wife to movies she probably would have been fine never watching, I turned to The original Mummy series, which ran for six films from 1932 to 1955. As I believe I have mentioned previously, I’ve always been a huge fan of Universal Classic Monsters. As a kid, I begged my parents for the DVD set – and before that I was collecting VHS tapes during the 90s (which had amazing box art by the way).
But, with all that said, I was never a fan of The Mummy. Even as a kid, I only watched this film once. I found it dull and disappointing. After all, I pictured a mummy as a monster in bandages, whereas the 1932 film sheds these after a single sequence. I remember referring to it as “watching a guy kill people through a mirror for an hour and a half.”
My interests have of course evolved since then, and I enjoy many movies now that I did not as a child. So I was curious to see how I would react to The Mummy watching it as an adult. To give you the short version: I think my eight-year old self had some good points.
You know, I’m going to stop doubting Pixar when it comes to Toy Story movies. After 2, I was skeptical of 3, and after 3 – man did I not think 4 was going to be anything special. Somehow, however, Pixar has managed to defy the law of diminishing returns and Toy Story 4 is as amazing (if not more so) than its predecessors. From its characters to its dialogue to its unbelievable sense of self-awareness, Toy Story 4 is an unexpected gem.
But there’s one thing in particular I want to focus on: Walking out of the theater, I got the sense that the story was more familiar than I had initially thought. I’m not calling Toy Story 4 a rip-off, not by a long shot…but it definitely takes a lot of inspiration from a very unlikely source. When I call Toy Story 4 Pixar’s version of Frankenstein, please know that I’m not talking about Forky – well, not just about Forky.