So, when I started writing my review of 2019’s Godzilla: King of the Monsters, I had difficulty. It wasn’t that I didn’t have anything to say (I can always find an excuse to share my opinion), it was that the conversation around the film changed so rapidly. I’m part of several Godzilla fan groups on social media and almost overnight I saw the tone of the conversation shift from eager excitement to guarded, sometimes pointed defense of the film. The reason? Actually – there are 177 of them. As of the time of this writing, that is the amount of negative critical reviews present of Godzilla: King of the Monsters on Rotten Tomatoes.
Avatar: the Last Airbender and Legend of Korra show creator Bryan Konietzko once said that the best stories have endings. What he meant was that, no matter how much we love certain characters, eventually we have to realize that their narrative journey is over and move on. In Avengers: Endgame, the MCU likely came as close as it ever will to providing this type of closure.
It’s 2018 and American culture feels at war with itself. Some of this is no doubt a spilling over of the bitter partisan division currently ripping at the fabric of the country. I think another aspect, however, comes from the rapid pace of technological and social change. The world is not the same one it was ten years ago – and who knows what things will look like a decade into the future. This uncertainty is reflected in our art, namely in the incredible popularity of nostalgia.