Picture a world where certain people are gifted with mastery of the elements. It is a land that lived in relative harmony until an ambitious king seized power by launching an unexpected attack. Our protagonist is a young adult, one of the last of her kind – a people being driven to extinction in these turbulent times. She teams up with her brother and a third friend to try and restore balance – but she must do so before the solstice. Also, she is being hunted by the son of said evil king, but said prince is emotionally conflicted.
Sound familiar? Let me give you a hint:
Except not quite. A similar idea breathes new life in Tomi Adeyemi’s Children of Blood of Bone.
Continue reading How Voice Separates Children of Blood and Bone from Avatar: The Last Airbender
Hey remember Game of Thrones…that was a thing. If the success of Netflix’s The Witcher has shown anything, it’s that audiences still have a craving for more adult fantasy with moral ambiguity and political intrigue. That said, while I enjoyed the first season of Geralt’s journey into legend, it felt more like…well, like this:
Not that there’s anything wrong with being the next Xena. Definitely nothing wrong there. Much to my surprise, however, I found another Netflix offering did a much better job of scratching that Game of Thrones intrigue itch. If you want complex characters living in a fully realized fantasy world of political complexities and societal strife, you really should check out The Dark Crystal: Age of Resistance, or as I’ve started calling it: Game of Muppets.
Continue reading Missing GoT Politics? Try…The Dark Crystal?
Okay, last Star Wars post for a bit – I promise. In part because the series finale of The Good Place just aired and man, I can’t wait to talk about that more! So, with all the discussion on The Rise of Skywalker going around – it’s only natural that part of the dialogue included speculation, speculation on what could have been.
Continue reading Let’s Talk about Star Wars: Dual of the Fates