Well, here is my first truly COVID-19 empowered post. Like many of you, I have been shut up in my home these past several weeks. Recently, the wife and I decided to do a date night in – watching 2020’s The Invisible Man (it’s pretty good, more on that later). I was so taken by the new remake that I decided to watch the original 1933 film as well.
After that…well…I decided to watch the Universal’s entire series of Invisible Man films…which I have, since I got this gem last year around Halloween when it was on sale. Not something I planned on doing but, you know, as someone who has seen the entire Exorcist, Halloween, Friday the 13th, and Nightmare on Elm Street franchises, this one really wasn’t bad. Let’s dive in, starting at the worst and working our way up:
Continue reading Ranking Universal’s Classic Invisible Man Series
Last night, I had the good fortune to see over 95% of Jordan Peele’s newest film, Us. I know what you’re wondering – the missing 0-5% came when I had to go let my brother into the theater. Luckily, it was in the beginning of the film, and I didn’t miss much from a narrative standpoint. I definitely saw enough to form an opinion. So – Us, is it good? Is it as good as Get Out?
Continue reading Us: Dissecting Jordan Peele’s Sophomore Effort
It’s 2018 and American culture feels at war with itself. Some of this is no doubt a spilling over of the bitter partisan division currently ripping at the fabric of the country. I think another aspect, however, comes from the rapid pace of technological and social change. The world is not the same one it was ten years ago – and who knows what things will look like a decade into the future. This uncertainty is reflected in our art, namely in the incredible popularity of nostalgia.
Continue reading Halloween 2018: The Nostalgia of Michael Myers