Everyone loves a good redemption story. It is one of the aspects that I believe helped make the original Star Wars trilogy so endearing: Watching Darth Vader rise from darkness to save his son. Redemption is also a hopeful message. Not only does it assure us that anyone can become the good guy, it gives a feeling of control. If these characters are so in charge of their destiny, than maybe we can be too.
Today’s post looks at some ways to write a successful redemption arc. This is by no means a definitive “how-to.” Writing is variable and unique – pretty much every rule can be broken by someone who knows what they’re doing to achieve a powerful effect.
Continue reading How to Write Redemption
Back in 2018 I wrote down my thoughts on season one of Netflix’s She-Ra and the Princesses of Power. To sum it up: I enjoyed the premiere but felt it had a lot of issues involving world-building, character growth, and (a lack of) explicit LGBTQ representation.
Within the last week, I decided to revisit the show – in part because people were saying really good things about the ending. I am glad I did. My initial comments on She-Ra (I’m not writing out the full title every time) were overly critical and harsh. It was after all just a first season.
Continue reading I was Wrong about She-Ra
I’ve been thinking a lot about nostalgia lately. Those who have read my recent posts on The Last Jedi or Halloween (2018) know that I’m growing less and less found of big budget Hollywood’s desire to look back. In a world of rapid change, audiences seem to love a heavy dose of nostalgia in their entertainment – but is this a good thing? Setting aside the toxic behavior going on in some fandoms, I want to examine things from a purely writing perspective. So, let’s talk about Netflix’s She-Ra and the Princesses of Power, the latest show in the He-Man/She-Ra universe.
Continue reading Let the Past Die: Examining She-Ra