Back in 2018 I wrote down my thoughts on season one of Netflix’s She-Ra and the Princesses of Power. To sum it up: I enjoyed the premiere but felt it had a lot of issues involving world-building, character growth, and (a lack of) explicit LGBTQ representation.
Within the last week, I decided to revisit the show – in part because people were saying really good things about the ending. I am glad I did. My initial comments on She-Ra (I’m not writing out the full title every time) were overly critical and harsh. It was after all just a first season.
Continue reading I was Wrong about She-Ra
As part of my recent pandemic-inspired monster movie binge, I turned to Universal’s Creature from the Black Lagoon trilogy, released between 1954 and 1956. The three movies, all of which feature the titular creature, vary in quality. To get the review portion out of the way right here, the casual viewer is better off sticking with the first one: A film that is beautifully shot, has a spectacular soundtrack, and boasts underwater effects that are still impressive today.
Watching the movies, however, I was struck by how horrifying they are. No, the creature is not particularly scary – nor are the films suspenseful. The horror is all in the writing, and the world in which such films were created.
Continue reading Why Creature from the Black Lagoon has become more Horrifying with Time
Kong: Skull Island is frantic fun, if tonally inconsistent.
Continue reading Kong Roars Back to Life in Skull Island