Back in 2018 I wrote down my thoughts on season one of Netflix’s She-Ra and the Princesses of Power. To sum it up: I enjoyed the premiere but felt it had a lot of issues involving world-building, character growth, and (a lack of) explicit LGBTQ representation.
Within the last week, I decided to revisit the show – in part because people were saying really good things about the ending. I am glad I did. My initial comments on She-Ra (I’m not writing out the full title every time) were overly critical and harsh. It was after all just a first season.
Continue reading I was Wrong about She-Ra
Okay…since I’m watching the ending of Game of Thrones (season 8) every weekend, I naturally have a lot of thoughts on it. Without getting into too much – I don’t like it. Kudos to you if you do, but I personally feel like there is a lot lacking in Game of Thrones – and really that there has been a lot lacking for a while – now it’s just all coming to a head.
One of the aspects I miss the most: character writing. Concluding character arcs is very difficult, especially if it’s over the course of multiple novels or several years of television. Even when you’re on point, there are certain character developments that require extra time and care to make sure they’re done well. Mental illness is one such issue. When executed poorly, creating mental illness in a character can be seen as lazy – a contrivance for plot rather than a natural character evolution. In the worst cases, it can be really offensive to those out there who are actually suffering.
Mental illness is one of the most challenging characters arcs to create well. So – how do you do it?
Continue reading How to Write Madness
Warning: This post specifically discusses, in detail, episode 3 of season 8 of Game of Thrones, “The Long Night.” Here be spoilers.
Continue reading The Long Night: When Subversion Failed Game of Thrones