I’ve been hosting a writing workshop recently where we talk about ways to improve writing technique. While I have a lot of fun teaching this class, there are always topics that get away – There are only so many hours in a day, you know?
With that in mind, I’d like to take the time to reinforce a short, seemingly simple lesson: Good writing has consequences, or rather, good writing has the sense of consequence. Let’s dive in:
Continue reading Good Writing Has Consequences
Okay…since I’m watching the ending of Game of Thrones (season 8) every weekend, I naturally have a lot of thoughts on it. Without getting into too much – I don’t like it. Kudos to you if you do, but I personally feel like there is a lot lacking in Game of Thrones – and really that there has been a lot lacking for a while – now it’s just all coming to a head.
One of the aspects I miss the most: character writing. Concluding character arcs is very difficult, especially if it’s over the course of multiple novels or several years of television. Even when you’re on point, there are certain character developments that require extra time and care to make sure they’re done well. Mental illness is one such issue. When executed poorly, creating mental illness in a character can be seen as lazy – a contrivance for plot rather than a natural character evolution. In the worst cases, it can be really offensive to those out there who are actually suffering.
Mental illness is one of the most challenging characters arcs to create well. So – how do you do it?
Continue reading How to Write Madness
Warning: This post specifically discusses, in detail, episode 3 of season 8 of Game of Thrones, “The Long Night.” Here be spoilers.
Continue reading The Long Night: When Subversion Failed Game of Thrones