How to Write Redemption

Posted on by Colin McMahon

Everyone loves a good redemption story. It is one of the aspects that I believe helped make the original Star Wars trilogy so endearing: Watching Darth Vader rise from darkness to save his son. Redemption is also a hopeful message. Not only does it assure us that anyone can become the good guy, it gives a feeling of control. If these characters are so in charge of their destiny, than maybe we can be too.

Today’s post looks at some ways to write a successful redemption arc. This is by no means a definitive “how-to.” Writing is variable and unique – pretty much every rule can be broken by someone who knows what they’re doing to achieve a powerful effect.

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Why Creature from the Black Lagoon has become more Horrifying with Time

Posted on by Colin McMahon

As part of my recent pandemic-inspired monster movie binge, I turned to Universal’s Creature from the Black Lagoon trilogy, released between 1954 and 1956. The three movies, all of which feature the titular creature, vary in quality. To get the review portion out of the way right here, the casual viewer is better off sticking with the first one: A film that is beautifully shot, has a spectacular soundtrack, and boasts underwater effects that are still impressive today.

Watching the movies, however, I was struck by how horrifying they are. No, the creature is not particularly scary – nor are the films suspenseful. The horror is all in the writing, and the world in which such films were created.

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How Voice Separates Children of Blood and Bone from Avatar: The Last Airbender

Posted on by Colin McMahon

Picture a world where certain people are gifted with mastery of the elements. It is a land that lived in relative harmony until an ambitious king seized power by launching an unexpected attack. Our protagonist is a young adult, one of the last of her kind – a people being driven to extinction in these turbulent times. She teams up with her brother and a third friend to try and restore balance – but she must do so before the solstice. Also, she is being hunted by the son of said evil king, but said prince is emotionally conflicted.

Sound familiar? Let me give you a hint:

Except not quite. A similar idea breathes new life in Tomi Adeyemi’s Children of Blood of Bone.

Continue reading How Voice Separates Children of Blood and Bone from Avatar: The Last Airbender