Love Triangles and the Female’s Role in YA

Posted on by Colin McMahon

Quick note: this can apply to plenty of adult fiction as well.

Last night, I had the pleasure of having a discussion with a couple of my fellow authors from Pen Name Publishing. For about a half an hour, we talked about the role of women in young adult (YA) literature, paying particular attention to the question: why are so many female protagonists always in love triangles? Basically: why are so many female protagonists defined by their quest to find love? Why is this such a common thread in young adult writing?

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Writing Villains: the Moriarty Problem

Posted on by Colin McMahon

When writing fiction of any length, one of the most important characters to focus on is the antagonist. Merriam-Webster defines the antagonist as “one that contends with or opposes another.” In the case of writing, the antagonist is always in conflict with the hero of the story, or the protagonist. All great works seem to have strong protagonists and antagonists: Othello and Iago, Frankenstein and his creation, Sherlock Holmes and Professor James Moriarty. These characters enter into a struggle that is captivating from beginning to end. BUT – then the book ends, Holmes and Moriarty go over the falls – Holmes lives, Moriarty dies.

What next?

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Curious Adaptations and Where to Find Them

Posted on by Colin McMahon

J.K. Rowling‘s newest work, Fantastic Beasts and Where to Find Them, is in cinemas now. This marks the first time that the famed author has written a screenplay and… it kinda shows.

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