Yeah Korra's Great, but What Happened to Katara?

Michael Dante DiMartino and Bryan Konietzko deserve a lot of credit. In today’s world of strong-guy dominated entertainment, the pair are responsible for giving children many positive female role models to grow up with. Their first show, Avatar: the Last Airbender, brought audiences strong protagonists like Katara, Toph, and Suki, while at the same time providing an equally strong antagonist in the character of Azula. When the duo moved on to the Legend of Korra, it was hoped that the strong woman trend would continue. The good news is that, for the most part, it has. Legend of Korra has three main strong female characters, one of them being the titular hero, Korra. The other two, Asami and Lin Bei Fong, also feature significant screen time and well developed character arcs. As the series has progressed, more and more women characters have been introduced, and all of them appear fairly well written. Since Legend of Korra is a sequel show, some of the characters from the original have returned as well: namely Katara and Zuko. The sad news is that, the return has not been great.

Katara was one of the main characters in Avatar: The Last Airbender. She is the first character introduced to the audience Throughout the intro it is her voice narrating. She is quickly established as someone who rebels against established gender roles. Within five minutes of the show starting, Katara is calling out Sokka (her brother) for his sexism and dismissive mature towards women.  This character trait continues throughout the series as Katara encounters several situations, most notably her training in the North Pole, which try to place restrictions on her because of her gender. In the face of every challenge, Katara remains defiant. She continually proves the established order wrong and demonstrates that she is as capable as any man.

Katara's fighting abilities grew as the show progressed. By series' end, she was the strongest waterbender present.
Katara’s fighting abilities grew as the show progressed. By series’ end, she was the strongest waterbender present.

As strong-willed as Katara is, it goes hand in hand with her generosity. Simply put, she is written as a character with an incredible sense of moral responsibility. There are several instances in the show where Katara goes out of her way, sometimes at hindrance to herself, in order to help those in need. In her words: “I will never, EVER turn my back on people who need me.”

Wow, you can see why she’s a positive role model. What helps keep Katara balanced is the strength of her nurturing side. In the world today, there seems to be a misconception that a “strong” woman has no maternity instincts, that caring for another only takes away from personal goals. Avatar: the Last Airbender may be one of the first shows (definitely first cartoons) to showcase the strength of caring and being there for another person. There is a power in Katara’s scenes that does not exist in any of Aang’s or Zuko’s.

In my opinion, this is one of the most powerful scenes in the series.
In my opinion, this is one of the most powerful scenes in the series.

All right, so far I’ve been talking up Katara a lot. I wanted to write out the strengths of her character creation. Partly to again give credit where credit is do, and partly to contrast this Katara from the older version that the audience sees in Legend of Korra. Katara, now in her eighties, returns as a minor character in the new show. This would be terrific… if she was anything like the Katara from the first series. No, the strong fighter appears to have traded in her chops for an order of elderly grandma. Good for taking care of toddlers and the sick… but not much else.

Katara.+Not+mine_b3f991_4190460

This is not an attempt to say that Katara should be more involved in Legend of Korra. She states herself at the beginning of the series that her time as a hero of the world is over. Yet there are two instances in particular where Katara’s involvement is strangely limited.

Katara hands off the primary responsibility to a new generation... before vowing to do nothing.
Katara hands off the primary responsibility to a new generation… before vowing to do nothing.

The first occurs in season two, when the South Pole is invaded by the North. Many of the Southerners revolt and there is open fighting in the streets. The North have come on the claim of ‘restoring culture’ and ‘bringing balance.’ The audience watches as many Southern Water Tribe characters fight for their personal freedom and their right to be independent. Sound familiar?

On one level, this is the same conflict that Katara faced in the first series, just on a larger scale. Here is how she reacted in the first show:

Wow, that’s really spirited, and she is just trying to prove her worth against an idiotic custom. I can’t imagine how fiercely she fights for her freedom and the freedom of her entire nation. Here is how she fights back in Legend of Korra:

tumblr_mapbzk5BNA1ra8acuo1_500Yeah, there is none, and time is devoted to showing the Southern rebellion. The audience knows that Katara has stepped out of the spotlight but seriously, the battle is on her front door.

“Well she’s old.”

Yes, Katara is old… and it’s not like old people ever do anything cool or active in these shows…

Except of course for the entire society of cool older people who are actively involved in shaping world events.
Except of course for the entire society of cool older people who are actively involved in shaping world events.

Yeah, that excuse does not fly in this show. Writers DiMartino and Konietzko have done too much with the older generation for “I’m old” to be anywhere close to a valid excuse. Katara did not have to win the battle single-handedly for the South, but it is against her character that she would do nothing.

Instance Two occurs in season three with the appearance of Firelord Zuko. While Zuko’s involvement is little more than fan service, at least he is seen being active (he is supposed to be at least a couple of years older than Katara btw). The head scratcher comes when Korra requests Zuko’s guidance. She is desperate for council from someone at least familiar when a past Avatar and claims that “he knew Aang better than anyone.”

Sure, cause what would Katara know really?

Now there is the argument to be made that Zuko is the person who best knew Aang who is in the immediate facility. This is true, they are not at the South Pole. It is more of a bizarre line than anything else, but it does draw attention to a weird observation: why is Katara staying at the South Pole? When did she get so passive? Her children are actively working to rebuild Aang’s culture… and she’s at home?

Katara is pictured as very frail in the new show. It is a bizarre development that does not seem to come from anywhere, outside the fact that she lost her husband.
Katara is pictured as very frail in the new show. It is a bizarre development that does not seem to come from anywhere, outside the fact that she lost her husband.

“Sorry kids, grandma needs to watch her stories.”

It’s just sad. Somewhere in the script writing, a decision was made that Katara would not be involved. Honestly, as harsh as it would be, it would be easier to believe that Katara had died rather than just become an old grandmother sitting by herself at the South Pole. When the audience is introduced to her, she is directly watching over Korra’s development. What happened to Katara? It is a sad day when one of the most powerful role models for young women is told to go sit quietly in the corner… and actually does so.

While I'm not for this level of involvement, it would be nice to see a happy medium.
While I’m not for this level of involvement, it would be nice to see a happy medium.

What Happened with the Legend of Korra Season Three?

Television is in a strange time. As many report, we have recently entered a second “Golden Age” of television shows. House of Cards, Game of Thrones, Orange is the New Black, Breaking Bad, I could go on and on. Wherever you look, there is a plethora of quality entertainment… except on actual television channels. Yes, what makes the times truly strange is that, despite the killer lineup of quality programming, television as a viewing medium continues to die. It simply cannot compete with internet streaming – and that is before piracy is factored in. There is just no incentive to watch shows on TV anymore. Which would you rather have: commercials or no commercials, binge watching or pre-planned air schedules, tight plots vs. weekly escapes… there really is no contest. It is a strange time and, as networks adapt, bizarre things can happen. So, let’s talk about just what the heck Nickelodeon is doing with its critical hit, Legend of Korra.

For those out there not in the know: Nickelodeon is pulling Korra off the air midway through its third season. Tonight, the eighth episode will air and… that will be it. The final five episodes will only be viewable through digital distribution (find the episodes here). Wait… what?

The bizarre pulling caused a lot of panic amongst the fans of the show. Co-creator Bryan Konietzko posted this image to console the panic.
The bizarre pulling caused a lot of panic amongst the fans of the show. Co-creator Bryan Konietzko posted this image to console the panic.

On the face of it, this is a real head-scratcher. The Legend of Korra is a very story-driven show so this type of disruption will create chaos with the fans and could potentially damage the show’s viewership. Also, it is not like Nickelodeon is enjoying a quantity of quality shows being created at the moment. Korra’s spot is currently being filled by reruns of Spongebob… with reruns of Full House following that…. really, Nickelodeon? So, it must have been ratings, right?

Gotta get my Full House fix! Party like it's 1995!
Gotta get my Full House fix! Party like it’s 1995!

Yes and no.

Season three of the Legend of Korra had the worst premiere ratings of the series. The third season premiere had less than two million viewers, which is a really low number for a season premiere apparently. It really does not look like much when compared with season one’s impressive 4.5 million viewers. However, the low ratings do not necessarily reflect no interest. Consider this: there was no advertising for the Legend of Korra until one week prior to the premiere. Nickelodeon rushed the show out of nowhere in one week.

What?

There is a reason, but it is not a good one. Piracy. The Legend of Korra was not supposed to air so soon in the summer… which really is a bizarre launch window when considered. It is also strange that Nickelodeon would give up all the hype they usually enforce during the San Diego Comic Con (going on now), which is the past has been used to really promote the coming season. Okay, so how did piracy “force” Nickelodeon’s hand?

Legend of Korra is one of the first in the "animated drama" genre, and book three took the series to new heights of maturity, exploring adult themes including the relationship between Lin Bei Fong and her half-sister.
Legend of Korra is one of the first in the “animated drama” genre, and book three took the series to new heights of maturity, exploring adult themes like the relationship between Lin Bei Fong and her half-sister, Suyin.

According to this report, four mid-season episodes were leaked online during production. Rather than dismissing the leak, it seems like someone at Nickelodeon hit the panic button. Oh no, they thought, four episodes that people can just watch online – we better scramble to get our episodes on TV! Rather than let any word of mouth occur or give marketing a chance to build up hype, season three was vomited forth less than two months after the leak. Three episodes, then two, then two… in three weeks over half the season had aired. With only thirteen episodes, that means Nickelodeon intended to spit out the entirety of season three of Legend of Korra in less than two months. How was this plan supposed to work?

In a manner that perfectly highlights the weaknesses of traditional television programming, Nickelodeon shot itself in the foot. Why show Korra at all if it will be done in such a foolish and costly manner? Indeed, that appears to have been the reasoning behind the pull. Should fans be worried about Korra going digital? Not really. Will Nickelodeon cancel Legend of Korra? Not likely but they might. They have already purchased a fourth season and it is unlikely that this season will be held accountable for mistakes made at the network.

Surely nothing bad has ever happened to a great show when the network has screwed up airing it... right?
Surely nothing bad has ever happened to a great show when the network has screwed up airing it… right?

That said, Nickelodeon might balk on purchasing a fifth. It would be its loss, however, and Netflix/Hulu/Amazon’s gain. After all, this action only proves that the future of TV lies anywhere except through traditional broadcasting channels.

How Women Ruined Young Justice for the Rest of Us

Women…. am I right, fellas? It seems like everything they touch in this world gets a little worse. What have they brought to the world of education? What have they brought to the world of politics? When was the last time that a woman even discovered anything useful in science? Well it turns out that women aren’t just a force for un-action, they are actively ruining things for us guys. Things like Young Justice:

Young_Justice_TV_series

I know what you’re thinking: there’s only two women there and both conform to the ideally thin image demanded by civilized society. That is not the problem. True, while the show wastes episodes devoted to explaining these two’s “character” and “motivation,” the problem with Young Justice is that women actually WATCHED it. Apparently a lot of them, the majority of Young Justice’s strong viewership was women. So, of course, the executives at Cartoon Network had to cancel it.

If Paul Dini is to be believed (he’s a man so we can trust him), then the sole reason that Young Justice went off the air is because, since the majority of the viewership was women, the execs over at Cartoon Network (I’m going to guess also at least 90% male) canceled the show since it wouldn’t sell toys.

…we had families and girls watching, and girls really became a part of our audience…but the Cartoon Network was saying…’no, we want the boys’ action, it’s boys’ action, this goofy boy humor we’ve [got to] get that in there’…I’d say look at the numbers, we’ve got parents watching…[the executives at Cartoon Network say] ‘we’ve got too many girls, we need more boys.’ And that’s why they cancelled us…’We don’t want girls because the girls won’t buy toys….Boys buy the little spinny tops, they buy the action figures, girls buy princesses, we’re not selling princesses.

Just read that again. The nerve, right? WHY COULDN’T THEY HAVE WATCHED SOMETHING WITH PRINCESSES?! Everyone knows that there is not a single super-popular animated show out there starring a woman who is not a princess.

Korra is actually a princess... a princess who beats the snot out of people.
Korra is actually a princess… a princess who beats the snot out of people.

All the Cartoon Network executives wanted was to create a good, wholesome show that sold toys to little boys and little boys only, like a 21st century G.I. Joe or Transformers. Those two shows were both solely marketed towards males and have not produced a single sexist –

Megan-Fox-from-Transformers-917-copy

Well not more than one –

megan-fox-transformers2

Okay then that’s –

Fun fact: this shot is not the start of a porn but rather the introduction of the main female character in Transformers: Dark of the Moon.
Fun fact: this shot is not the start of a porn but rather the introduction of the main female character in Transformers: Dark of the Moon.

Fine.

For the record, I did try to find the records for Young Justice‘s ratings to confirm (or deny) Mr. Dini’s accusations but was unable to. What I did find was that the show was highly rated on IMDB, praised on TV.com, and that there is a petition to bring the show back. Apparently a Kickstarter campaign was also considered. Clearly this just means that the women are organized and are actively trying to trick the Cartoon Network executives. Rest assured, they are men and no attempt at manipulation or well-formulated argument will penetrate their testosterone-reinforced skulls.

This is a shame since I just binge-watched the first season (on vacation, don’t judge me) of Young Justice and it was rather entertaining. There was excellent story continuity, strong characters, and the show appeared to contain applicable morals for teens growing up. F*cking women though… am I right, Mr. Dini?

That’s the thing, you know I hate being Mr. Sour Grapes here, but I’ll just lay it on the line: that’s the thing that got us cancelled on Tower Prep, honest-to-God was, it’s like, ‘we need boys, but we need girls right there, right one step behind the boys’—this is the network talking—’one step behind the boys, not as smart as the boys, not as interesting as boys, but right there.’ And then we began writing stories that got into the two girls’ back stories, and they were really interesting. And suddenly we had families and girls watching, and girls really became a big part of our audience, in sort of like they picked up that Harry Potter type of serialized way, which is what The Batman in boarding school [?] is really gonna kill. But, the Cartoon Network was saying, ‘Fuck no, we want the boys’ action, it’s boys’ action, this goofy boy humor we’ve gotta get that in there. And we can’t—’ and I’d say, but look at the numbers, we’ve got parents watching, with the families, and then when you break it down—’Yeah, but the—so many—we’ve got too many girls. We need more boys.

Clearly Paul Dini is as outraged at the female audience as I am (with their stupid need to watch things that aren’t about makeup or cooking). Thankfully, the executives at Cartoon Network were able to put a stop to it… this time. Men, we need to be firm on this. If there are little girls out there watching the things that little boys are supposed to be watching, they may start getting the same ideas! The same hopes, the same dreams! They might start wanting what we want, which is bad because everyone knows how clever women are when it comes to getting their way.

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Oh well, maybe Netflix will pick it up for another season or two. They are very good at listening to what fans want and providing the appropriate programming. I know what you’re thinking, I will say right now that Netflix is run by a man, but maybe he’s a little like a woman on the inside. Young Justice can only hope.

...as long as girls buy toys.
…as long as girls buy toys.

 

 

Even though I think it was pretty obvious, let me just say that this post was brought to you by the letter “S” for sarcasm and sexism.