The Wisdom to be Learned from Uncle Iroh (Avatar: the Last Airbender)

There is question to ask at the beginning of this that I feel is legitimate: can one learn anything from fiction? Fiction, by its definition, is not real, ergo how could it apply to real life? Short answer: yes. There is a whole article that I could write on the history of storytelling and the evolution of the fable… but that’s not the point of this article. To paraphrase a line from Tropic Thunder (I’m so cool, I know): “just because it’s made up doesn’t make it not true.”

With that in mind, let’s turn to Avatar: the Last Airbender. I could (and maybe will) write an article on every main character from this show, but let us instead just focus on Iroh (more commonly known as Uncle Iroh). First, a quick rundown of what Avatar: the Last Airbender is about – an ancient world (Eastern themed) where people control, and fight with, the elements. Iroh hails from the Fire Nation (the antagonists of the series). Despite this origin, he is not a bad guy, in truth he is the morale heart of the show. Iroh is the oldest main character that the audience follows. He was a general of the Fire Nation but retired after the loss of his son (killed in action). Iroh is the uncle of Zuko (the series’ first antagonist), hence the “uncle” association. How could a guy on the “evil side” be so good? Let’s discuss his character.

Iroh is like a father to Zuko. Zuko is actually the prince of his nation, but was banished (and scarred) for speaking out against his father. Zuko’s father… kind of a dick. Anyway, Iroh is Zuko’s role model, although it is against Zuko’s wishes. At the start of the series, the Fire Nation Prince reflects the spoiled nature of a teenager, and fluctuates between listening to and rebelling against his uncle’s advice.

Here is where the strength of Iroh’s character starts, with what might be his greatest virtue: his patience. Iroh does not have it easy in this show. In short: there is no one who treats him worse than Zuko. Hold on, you say, isn’t Iroh supposed to be a father to the prince? He is, but Zuko, as a character, is very confused (only slightly more decisive than Hamlet). Zuko is from a screwed up family. His sister is psychotic and so is his father. His mother… is gone. That leaves Iroh, and Iroh knows and, more importantly, understands the implications of this.

Iroh is an excellent role model because the writing for the show allows for real world situations to take place. In his relationship with Zuko, there are few moments where the prince acknowledges what an incredible influence his uncle is being. More than that, most of Iroh’s misfortune comes from Zuko’s actions. Yet Iroh is there for him, no matter what. It is the importance of family and of being there for the people who matter.

Iroh can be interpreted as many things. He is a man who sees beauty in the simplest aspects of life (especially tea). He is a man who values his family. He is a man with conscious who understands the weight of his actions. He is a father who lost his son. The audience never knows anything about Iroh’s wife (kinda strange now that I think about it) but when one understands that he lost his child: Iroh’s motivations become clearer and take on a more tragic light.

In watching the show, Iroh is a great man, but what makes him believable is his journey. He didn’t start out as a mystical Buddha with life figured out. He was broken, he lost the thing that mattered most to him, and it defined him. The good news, and I believe the lesson, of this is that Iroh had it define him in the best way. He could have been bitter and angry but he instead chose to live the remainder of his life to the fullest, in an attempt to avoid the mistakes and regrets from his earlier life.

I love Avatar: the Last Airbender because it is an excellent, albeit fantastical, look at humanity. Every character in that show is worth watching, but if one wishes to see the wonder and love in all things: look no further than Uncle Iroh (plus herbal teas are amazing, just saying).

Quote from the show. Corny words can still be true words.
Quote from the show. Corny words can still be true words.

Writing Kim Kelly or One of Many Reasons why Freaks and Geeks is a Show to Watch

Once upon a time, the land of television was a harsh, unforgiving place. Shows came and went, regardless of quality. Having a well-written, well-cast, well-directed program did not guarantee success. Take Freaks and Geeks: I’m going to guess that many out there have not heard of this show. It only lasted a season (1999-2000) and ran on NBC (hardly HBO). Well, this was a show produced by Judd Apatow (the 40-Year Old Virgin, Knocked Up), created by Paul Feig (Bridesmaids), and that starred actors like Jason Segel, Seth Rogen, and James Franco. Guest stars included Shia LaBeouf, Leslie Mann, Ben Stiller, and Jason Schwartzman. So… there were a couple names (not yet big) involved.

I think what killed Freaks and Geeks was the premise: high school. Talk about a unique setting for dramatic teen comedy, especially in the late nineties. The show focuses around the Weir family, particularly their children Lindsey(Linda Cardellini) and Sam(John Francis Daley). Sam is a geek, one of a few just starting out his high school career. Lindsey was also a geek but a different kind (math nerd), she is an upperclassman looking to break out of her image by hanging with the “freaks”: Segel, Rogen, and Franco. I’m going to be honest: this is not the most driving premise I’ve ever heard. What makes it work, however, is not just the casting. Freaks and Geeks has some of the best writing I’ve ever seen on television, and one needs look no further than the character of Kim Kelly (Busy Philipps) for an example.

She just comes off as sunshine and rainbows.
She just comes off as sunshine and rainbows.

Kim Kelly is the bitchy girlfriend of Franco’s Daniel Desario. She appears dumb, vulgar, and mean-spirited. On the surface, she is the exact opposite of protagonist, Lindsey Weir. For many shows, particularly comedies: this would be enough characterization (for one season anyway). Comedies are no strangers to using stereotypes for laughs, especially among non-starring characters (which Kim Kelly is). A lesser show would have stopped there with her and probably little of the humor would have been lost.

I’m going to try to avoid going into spoilers, as I think the storytelling of Freaks and Geeks is best left to its writers. That said, I am going to discuss one episode in detail: “Kim Kelly Is My Friend.” The basic premise: Kim invites Lindsey over for dinner in an attempt to try and build a friendship between the two of them. Two people who don’t really like each other trying to get along: hilarious… but that’s not what the episode is really about. This is Kim’s family:

They are not like Lindsey’s family. Lindsey’s family is about as normal as it gets: father (working), mother (homemaker), and younger brother (insert sibling description here). Kim comes from an abusive household, and the writers make no secret of this. What’s great, however, is that they don’t overdo it either. Kim’s “father” isn’t physically abusive (at least not in the episode) and her mother isn’t immediately crazy. It is a realistic presentation of a dysfunctional family.

Afterwards, Kim is explained a little bit: but the show doesn’t use her background as a crutch for her character (oh this is just how she was raised nonsense). Kim is still given responsibility for her actions and still expected to grow (just not at the same pace as Lindsey). How refreshing it is to have no shortcuts taken. There were a million ways to explain Kim Kelly and the writers chose the simplest. They didn’t make it flashy or outwardly attention-grabbing, they just made it good.

One of Kim's many great lines from the show.
One of Kim’s many great lines from the show.

Every character gets this treatment on Freaks and Geeks: it’s what makes the show worth watching. I could go on praising but that is just what it would be. So I’ll simply say: watch it. No stupid hooks, no excessive nudity or character deaths in place of character development: just good, realistic, character drama. Too bad there aren’t more shows on this level.

It's Actually Better the Second Time Around: Korra and Mako

Like many people out there, I am a huge fan of the Avatar: the Last Airbender animated series. Also like many people, I was really excited when the creator’s of said show announced their new, sequel project, The Legend of Korra. However, you may remember in another article that I wrote, that I expressed my feelings on some rather serious concerns with this new series. Much of the great character writing that had highlighted the first show was missing and The Legend of Korra suffered quite a few problems that held it back from being anything close to great, at least in taking the first season by itself.

And then there's these two.
And then there’s these two.

One of my chief problems was the relationship between protagonist, Korra and non-existent character, Mako. I’ll try not to repeat myself too much here: I simply never felt the relationship worked. Mainly because Korra (being hot-headed, quick-tempered, loves-to-argue) did not make sense to match up with Mako (more serious, level-headed, dumps-his-first-girlfriend-as-soon-as-she’s-poor… didn’t-really-have-much-character-beyond-that). Yes, you could understand an initial attraction, but a long term relationship seemed a more outlandish idea than bending the elements.

Part of what makes this season an improvement is that they begin to define the character of Mako and give him some much needed personality.
Part of what makes this season an improvement is that they begin to define the character of Mako and give him some much needed personality.

So let’s get into season two, set a full six months after season one and Korra and Mako are still together… somehow. The audience gets the sense that not much conflict has happened in this time, which makes the idea of the two of them surviving together more believable. The peace is not long to last though as wild spirits show up and tensions arise between Korra and the two parental male figures in her life: Tenzin (her mentor) and Tonraq (her father).

In comes Mako to diffuse the situation… with expected results. Korra explodes at him and the two get into a heated argument, every time. Mako even admits that he doesn’t feel comfortable expressing himself around Korra, asking essentially if she would to hear his opinion or simply something she would agree with. The signs are there that the relationship is not in paradise but… it keeps going.

This is the common pose of the season for Korra and Mako.
This is the common pose of the season for Korra and Mako.

Meanwhile Bolin has entered into a relationship with Eska, Korra’s cousin from the Northern Water Tribe. Eska is very obviously manipulative, controlling, and all-around crazy so Bolin naturally seeks advice on how to end the relationship. He goes to his older brother and the two have a conversation that is one of the smarter scenes in the entire season. Mako advises Bolin to simply break off, that dragging out a bad relationship is like allowing a leech to hang onto skin. Great advice but the audience wonders if Mako should be listening to himself talk.

Poor relationships are actually a common theme in the season as it is revealed that Aang did not have the best relationship with his children.
Poor relationships are actually a common theme in the season as it is revealed that Aang did not have the best relationship with his children.

Here is where the great realistic writing reenters the series. Mako is communicating thoughts that he is already subconsciously feeling but having trouble expressing directly: his brother’s crappy relationship echoes his own but is not his, so he can see it clearer and be more objective.

It’s not hard to see where this is going: eventually Korra and Mako get into a serious fight and Mako announces that he is finished. Korra goes off and does some Avatar stuff (losing a chunk of her memory in the process… boy I hope that doesn’t arbitrarily create drama later) and Mako rekindles his relationship with Asami. Why Asami is so quick to take him back is beyond me but at least the two of them have some chemistry together.

The final argument that breaks up Korra and Mako. Told you it was a common pose.
The final argument that breaks up Korra and Mako. Told you it was a common pose.

But anyway, remember how I mentioned that Korra lost a bit of her memory? Guess which part exactly. So Korra comes back, thinking everything’s fine and Mako… rekindles that relationship as well, dramatically hurting Asami in the process.

Asami looking both hurt and angry at Mako's inability to be mature and decide his relationships.
Asami looking both hurt and angry at Mako’s inability to be mature and decide his relationships.

I know I prefaced this as “arbitrary drama” but I actually think that the writing staff deserves a lot of credit for accurately portraying bad relationships: sometimes they’re hard to get out of. Mako dodges the harder conflict in favor of an easier one but just ends up creating more problems for himself.

Korra, of course, regains her full memory at the end of season two and confronts Mako about the break up. Here is the first moment where Korra genuinely becomes the strong character she has been purported to be all series. She is the one to directly come out and state that they, despite loving each other, do not work as a couple and that they are romantically done.

“I think we both know that this… us… doesn’t work” – Korra “You’re right. I’ll always love you, Korra.” – Mako “And I’ll always love you.” – Korra

This is a powerful moment that shows how much Korra has evolved since the start of the series. She has matured and is learning to calm her temper, while also learning to trust her instincts as a person and not just as the Avatar. Mako, by contrast, is revealed as the less mature of the two: someone who still needs to learn how to be more direct with his feelings and take more responsibility for his actions.

Again, I cannot praise the romantic writing (at least in regards to Korra and Mako) enough this season. First and foremost: this is a show intended for all audiences and Korra is a wonderful role model this season. Too often media (television shows and movies in particular) goes only the dramatic route of ending relationships – just look at Disney’s Frozen for an example of that. The Legend of Korra takes the more complex approach: the idea that two people can love each other but not be right for one another. Korra and Mako are not done as friends and they are not done in each others lives.

There was no drama, no unnecessary turn of character traits. No one became evil. The Legend of Korra has started writing its characters as people, and that bodes really well for the remaining three seasons.

Also they brought back Uncle Iroh, that's just awesome.
Also they brought back Uncle Iroh, that’s just awesome.