Luke Skywalker will Likely Die in Star Wars: The Force Awakens

I am currently writing a new post discussing the various approaches to haunted house style movies, but then this came out:

Man, Star Wars: The Force Awakens looks awesome. Yet there is one person missing from the trailer, and from the official poster, that has people talking. The question on every Star Wars fanboy’s lips is: Where is Luke Skywalker?

Well… he’s in it. Mark Hamill is confirmed to be in Star Wars: the Force Awakens. He narrated the second trailer, and appears in this shot from the trailer:

The metal hand kinda gives it away.
The metal hand kinda gives it away.

So yeah, he’s in it, but what will his role be? Brace yourselves people… Luke Skywalker is very likely going to die. And this is a good thing, at least in terms of the sequel trilogy (episodes 7,8, and 9) standing on their own feet. But let’s examine the evidence from the trailers, as well as the evidence from good storytelling.

Trailer Evidence

Okay, as seen above – Luke is on a volcanic looking planet with ash flying everywhere. It genuinely does not look like a happy place to be. The final trailer also gives us viewers a glimpse of who else visits that planet: namely the Empire (or what’s left of it) led by new main bad guy, Kylo Ren.

Definitely looks like the same planet to me.
Definitely looks like the same planet to me.

So they are in the same spot, and the empire is there in force. And then there is this:

Almost looks like an execution. He is likely stabbing down at someone. So yeah… not good. Yet while Luke’s life is in jeopardy, this actually is a good indicator that The Force Awakens might be the high quality Star Wars film that fans have been waiting for.

Thematic Planets

George Lucas was a big fan of using the setting to enhance the principle intended emotion of a scene. There is no greater example of this than Mustafar from Revenge of the Sith. This planet is hell, a reflection of the dark depths that Anakin Skywalker has sunk to. It is here that Anakin Skywalker meets his end, and Darth Vader is truly born.

Say what you want about George Lucas, but the man does know about visual storytelling.
Say what you want about George Lucas, but the man does know about visual storytelling.

This new planet looks very similar, yet not as full of rage as Mustafar. It is a grim landscape, but one that is not literally exploding fire and lava every few seconds. This grim certainty may add a powerful element of Luke’s grim acceptance of his fate, and his refusal to fully give in to the anger that destroyed his father.

The Old Hero Dies at the Beginning of a New Trilogy 

Here is a shot of Luke in costume from The Force Awakens:

screen-shot-2015-08-13-5-49-25-pm

As many have noticed, it is reminiscent of Alec Guinness‘ Obi Wan Kenobi, and I agree. There is a resemblance. Now what happened to Obi Wan in A New Hope?

And what happened to Obi Wan’s mentor, Qui Gon Jinn at the start of the prequel trilogy?

Oh yeah. At the time, this was the killing off of a side character. Yet in the prequel trilogy, Obi Wan Kenobi was the main hero. Unlike Anakin, he never falls to the dark side – making him the only person (who lives) that the audience can constantly root for. Yet in the original trilogy, Obi Wan has to go. There are two very important reasons for this:

Establish the Villain

Man, Darth Vader became a real threat in that moment. He was always intimidating (thanks to great costume design and his ability to telepathically choke the life out of people) but once he kills Obi Wan, the audience knows that the stakes have been raised: characters can die. It was a great example of showing us how dangerous Vader was, rather than Obi Wan being like “he helped the empire hunt down and destroy the Jedi, and he betrayed and murdered your father… maybe.” It always does more to have the villain commit a heinous act on-screen.

So now we have Kylo Ren, and if he is going to be our villain for the next three movies – he needs to be dangerous. He’s already cool looking, got that great look going. You know who else was cool looking – Jango Fett, and General Grievous. Yet none of these characters was particularly threatening because they never did anything. Jango Fett was supposed to be a feared bounty hunter, but his battle tactics (fly towards the guy with the sword) left a lot in question. Grevious was the leader of the droid army who stayed alive by… running away for three years? I’m shaking.

(this interpretation of Grievous would have made a more interesting villain.)

Of course, those two were helped with by other villains (namely Darth Sidious) who kept the tension high. Now it’s only Kylo Ren… and shiny stormtrooper Captain Phasma. Unless there is a shadowy mastermind waiting to be revealed – the audience needs to hate and fear Kylo. What better and quicker way to establish this by having him kill Luke Skywalker?

Establish the Heroes

What’s the greatest problem that shows like Teen Titans and Young Justice had (at least in concept)? They were shows about sidekicks. Batman was always around, Superman was always around. There was this cushion – that existed by just the nature of the main characters – that said: someone else can get it if you fail. Luke Skywalker is currently that someone else. He is the head jedi hauncho, the guy who beat the Empire. Who cares about Rey, Finn, Poe Dameron, and anyone else you’re trying to establish? The audience already knows who the hero is.

Unless that hero isn’t there anymore…

Han Solo can survive in a supporting role because really – he’s just an old guy with a blaster. Ditto for Chewbacca. Leia might never have really trained to become a jedi (she likely focused more on being a political leader) so she cannot physically hope to overpower Kylo and his baddies. There is still room for these people, while allowing the new characters to occupy the main roles.

To use a comparison – Legend of Korra would not have worked if Aang was still alive. There needs to be only one avatar. There needs to be one main jedi who is getting things done:

lightsaber

Time for the new heroes to step up. Time for the force to awaken and the saga to begin again… and probably time for fans to bid a teary goodbye to Luke Skywalker. But no worries, after all – since when does death stop a jedi?

JediGhosts-ROTJ

 

The Horrible Life Lessons Learned From Space Jam

Oh to be a child of the nineties and have opinions grossly clouded by nostalgia. I grew up during this strange and magical time of Pokémon, Gushers, and DZ: Discovery Zone. Being a kid back then was awesome, it’s no lie. We had a lot of great things to entertain ourselves with. Sadly, there are some not so great things that some of us also remember fondly. I speak, of course, of Space Jam. Most all of my friends (also children of the 90s) love Space Jam. As a kid, I remember really liking it in the theaters. I mean it was Michael Jordan and the Looney Tunes, how can you go wrong?

It was very wrong.

Unlike the best childhood movies, Space Jam (or the poor man’s Who Framed Rodger Rabbit) is full of really horrible life lessons. This is not a movie that teaches you to learn from the past and take responsibility for your life (The Lion King), or to be yourself (Aladdin) or that true beauty is found within (Beauty and the Beast).

Nope, none of those are here. Let’s look instead at what is presented in this film forgotten largely by anyone not between the ages of six and ten in 1996.

Kidnap Your Friends

Let’s start with something that’s really pretty big in the movie: Bugs Bunny and the other Looney Tunes never ask for Michael Jordan’s help (even though they easily could have – as it is established later in the film that they have no problem going to the “real” world). What do they do instead? Just toss a rope around him at a golf course and drag him over. Sure, once in Looney Tune land, Michael may have the opportunity to say no… maybe. Just keep in mind, if he did – he would have said no in a land surrounded by thousands of angry cartoon characters… oh and no one from home knew where he was so they’ll never find his body.

This guy is the villain and he only ever TALKS about kidnapping people. Let this be a lesson kids: Winners let their actions do the talking.
This guy is the villain and he only ever TALKS about kidnapping people. Let this be a lesson kids: Winners let their actions do the talking.

Women exist to be Sexualized in All Forms

 Even bunnies.

Holy crap, who designed Lola Bunny? Speaking as someone who saw this movie at seven, Lola Bunny gave me some confusing thoughts that would not be explained for the next few years. Once they were explained, it left me with one question: who designs a children’s cartoon rabbit this way? She has human breasts! Lola is sexualized in a way that is frankly disturbing. Since no one other than Bugs (who is another rabbit) is attracted to her, why was she drawn with different appeal. Just why – what was the conversation that lead to her creation?

It's like someone turned Natalie Dormer into a rabbit.
It’s like someone turned Natalie Dormer into a rabbit.

“Hey we got that Space Jam movie coming out, are we going to get the teenage crowd?”

“I’m not sure.”

“Better add breasts to the bunny just in case.”

Remember kids, if you’re going to have a woman in your movie, she had better be a sex symbol – even if she is a rabbit.

Bully the Fat Guy

Wayne Knight exists in Space Jam for one reason: to be made fun of. This wouldn’t matter so much if all the jokes weren’t targeted at one aspect of his character, namely his size. Sure, Stan (Knight’s character) is presented also as a dork, but why is he a dork – because he’s fat.

Haha! His shape is round! By the way - man do those effects not hold up.
Haha! His shape is round! By the way – man do those effects not hold up.

Forget the fact that he offers to help out in the big game against the Monstars, or that he sacrifices his health for the good of the team, or that he is the one to discover the Monstar’s plot, or that he generally tries to be a nice guy in general (the only one to really try to find Michael after the Looney Tunes kidnap him) – the movie doesn’t care and treats him only as a punchline. F*ck him, he’s nothing but a big old fattie. Yeah, he gets to announce Michael’s return to humanity at the end of the movie, but how about an apology – how about the “thanks for helping out, we were really lucky to have you with us, sorry we were kind of total dicks to you.”

No? Only Bill Murray gets told he can play basketball? Okay.

 

… Oh! And also bully short people, like the Looney Tunes were doing to the Monstars before they got tall. That’s the whole reason they picked basketball in the first place!

Succumb to Peer Pressure ALL the Time

Why does Michael agree to help the Looney Tunes? Does he feel truly sympathetic to their cause? Or is it because he gets insulted, and then goaded into joining by Tweety?

“You’re not scared of them, are you Michael?”

"Kill them, Michael. Kill them all."
“Kill them, Michael. Kill them all.”

To which Michael, being the mature, responsible father he is, agrees to risk never seeing his family again in order to help out the cartoon characters who kidnapped him. Awesome.

Take Steroids and Cheat to Win

Oh my god, this is totally in the movie. Remember Michael’s “secret stuff” that helps him win every game? Sure, in the movie it is just water and the effects are purely placebo but holy crap! This comparison is really spot on to the steroid scandal that was (and still is) going on in the professional sports world today. Actual quote from the movie:

Daffy: “You know, this goes against everything they taught me in health class.”

Michael Jordan (role model to a generation): “You want to win or not?”

Sure, it makes Bugs all muscle-y, but I bet he also has anger problems and a smaller carrot as a result.
Sure, it makes Bugs all muscle-y, but I bet he also has anger problems and a smaller carrot as a result.

If Tom Brady said those words (even in a kid’s movie), people in New England would never hear the end of it, just saying.

Don’t Talk to Your Significant Other/Family

The whole time Michael is doing this potentially enslaving act for the Looney Tunes, never once does he send a message to his family. His kids only find out because they catch Bugs and Daffy robbing their house.

Michael’s wife, the woman he wanted to share his life with: she’s not important enough to know. Maybe he would have told her if she was more sexualized.

So there you have it. Keep in mind, I have not seen Space Jam in quite a while so I may not be remembering everything that happened in the movie. There could be more instances of life lessons that would have scared every child watching the movie.

Who knows? As I said, Space Jam has been largely forgotten. If only they could get that sequel off the ground:

Maybe they can promote racism and adultery in this new movie!
Maybe they can promote racism and adultery in this new movie!

Tomorrowland: Brad Bird's Bioshock

When the second trailer for Disney’s Tomorrowland was released, various websites on the Internet began to spot an interesting similarity between the new live-action picture and one of the most popular video game series in the past decade. Director Brad Bird‘s optimistic opus about the potential of the future bore an eerie resemblance to Bioshock, a game series about dystopia and the different ways ideology can be taken too far. Some found the similarities so uncanny as to create a mash-up trailer combining elements from both properties:

https://www.youtube.com/watch?v=Y3RIuEO1Zx4

Marketing does not always reflect the reality of the movie. That said, having seen Tomorrowland and played through all three Bioshock games, all I can say is: yep.

Warning: mild spoilers to follow.

The most obvious similarity exists in the concept. A futuristic society is created with the desire of being “better” than the rest of the world. Something goes wrong and it is up to an outsider to fix it. Right there I have just described the basic premise to both Tomorrowland and every Bioshock game. Yet the comparison does not stop there.

The movie opens with a young Frank Walker (the boy who will grow to be George Clooney), an inventor who arrives at the 1964 World’s Fair to show off his invention: the jetpack. Frank meets a mysterious girl, Athena (played very well by Raffey Cassidy) and is able to ascertain passage to Tomorrowland. What does the passage look like? Frank gets on a boat on the “It’s a Small World” ride. Halfway through, the waterway drops out and brings Frank to a seemingly endless body of water with a single walkway leading to a bathysphere. Sound familiar?

Depending on who you ask, "It's a Small World" is more or less ominous than a solitary lighthouse in the middle of the ocean.
Depending on who you ask, “It’s a Small World” is more or less ominous than a solitary lighthouse in the middle of the ocean.

Frank is next transported to Tomorrowland, a society founded and driven by one man: Governor Nix (Hugh Laurie). Nix is a leader who appears to have forsaken the rest of the world in favor of building his own vision of a better tomorrow. While his philosophy is slightly different, Nix is very comparable to the likes of Andrew Ryan and Zachary Comstock.

"You've got simultaneous epidemics of obesity and starvation, explain that one. Bees butterflies start to disappear, the glaciers melt, the algae blooms. All around you the coal mine canaries are dropping dead and you won't take the hint! In every moment there's a possibility of a better future, but you people won't believe it. And because you won't believe it you won't do what is necessary to make it a reality. " - Governor Nix
“You’ve got simultaneous epidemics of obesity and starvation, explain that one. Bees and butterflies start to disappear, the glaciers melt, the algae blooms. All around you the coal mine canaries are dropping dead and you won’t take the hint! In every moment there’s a possibility of a better future, but you people won’t believe it. And because you won’t believe it you won’t do what is necessary to make it a reality. “
– Governor Nix

Yes a disconnected world with lofty ideals and an extremist leader – what could go wrong? The nature of the exact problem with Tomorrowland is partly what separates it from other dystopias like Rapture and Columbia. The stubbornness and unfeeling nature of Nix aside, Tomorrowland has created a technology that is interfering with the rest of the world. I won’t spoil what it is exactly, other than to say it ties in strongly with the overall theme of the movie (similar to how the problems with Rapture and Columbia tied in to the themes of those games).

The last comparison really worth mentioning is Athena, the single agent acting against the wishes of her master and bringing in outside help to Tomorrowland. She accompanies the heroes throughout the entire plot, chipping in where she can and providing evidence that not everything in Tomorrowland has gone wrong. She also plays an essential role in how the story is resolved. Sound familiar:

Athena does not throw coins to either George Clooney or , proving that she is not as financially useful as Elizabeth.
Athena does not throw coins to either George Clooney or Britt Robertson, proving that she is not as financially useful as Elizabeth.

Almost forgot: there are also nonhuman guardians protecting Tomorrowland, and its secrets, from intruders of the outside world. Do they look as cool as this:

bioshock_big_daddy_and_little_sisterNope, they look more like this:

a-scene-from-tomorrowland

It is difficult to say whether or not the wealth of similarities between Tomorrowland and the Bioshock series is anything more than coincidence. I have searched for information on whether or not Brad Bird is a gamer, and I have found none. Given his age (57), and where he is in life – I do not believe he has ever played Bioshock. Yet Damon Lindelof, who co-wrote Tomorrowland, may very well have – again I cannot be sure. The idea of the Bioshock series is not so revolutionary that it is impossible to believe other creative minds did not come up with it on their own. Humanity has been discussing utopia and dystopia for centuries.

And alike as they are, Tomorrowland and Bioshock do enjoy their differences. The main story arch is different between them, and Tomorrowland enjoys an optimism (that some reviewers have labeled preachy while this reviewer found refreshing) that Bioshock does not possess.

It could be argued that Disney should have embraced the Bioshock comparison more openly, as their movie is currently struggling for financial success.