Please Lev Grossman: Don't Give the Magicians to Syfy!

Back when I wrote my article on untapped potential series for HBO, there were many strong intellectual properties that I left out. One such I.P. was The Magicians trilogy, written by Lev Grossman. For those out there who are unfamiliar with this series, picture a far more adult/realistic interpretation of Harry Potter. A world where being wizards does not stop children from engaging in drug use, alcohol, sex, and all the other stupid crap kids tend to do as they grow older. Add to this an incredibly smart parody of the Chronicles of Narnia series and you have the essence of what The Magicians trilogy is about. This past summer saw the end of the trilogy with the final book, The Magician’s Land, being released in August. Like many fans of the series, I went through typical post-book depression once reaching the end before looking out to see what future, if any, the series might have. Grossman is, at the moment, insisting that this is the end for the series (I’m not so sure) so book-wise prospects were limited. There is a planned television show, however! Huzzah! Who is making it? Netflix? HBO? Hulu? Syfy? Really – Syfy… okay, not sure how to feel there.

A fantastic little trilogy of books for anyone looking for well-written fantasy.
A fantastic little trilogy of books for anyone looking for well-written fantasy.

Actually I do know how to feel: not confident. The network formally known as Sci-Fi has not been the recent name in terms of quality programming. To look back at it, the last Syfy show that anyone even talked about was Battlestar Galatica and that ended (rather poorly) in 2009. Since then Syfy has produced shows such as Haven, Defiance, and Z Nation. None of these shows have enjoyed terrific critical reception. It seems that since Battlestar Galatica, Syfy is still scrambling to find a show that garners a stronger reaction than: “Z Nation, that sounds a lot like the Walking Dead!”

In fact, there is only one recent series that Syfy is famous for: Sharknado. Yes, for those out there looking to gauge just how intelligent the usual Syfy programming is, look no further than Sharknado. For those poor souls out there who are unaware what Sharknado is… it is exactly what it sounds like. A movie about a tornado – made of sharks. Two movies actually, with a planned third on the way. Not to criticize Sharknado, on a personal level I love it for the wonderfully, intentionally stupid movie series that it is. That said, “From the network that brought you Sharknado comes the Magicians” just sounds wrong on so many levels.

Yeah, this is what to expect from Syfy these days.

The point I am trying to make is that the Magicians is smart, and it is that intelligence that made the series work. On the face of it, there have been numerous fantasy books that have tried to bring that ‘adult edge’ to the Harry Potter scenario – and most of them have failed miserably. These books did not rely on their sex or occasional brutal violence to tell a story, they relied on the charm and wit that Lev Grossman installed into their characters.

In particular there is a special challenge with the series protagonist, Quentin Coldwater (I love that name). Quention is nothing like Harry Potter. He is much more your typical hormone-filled adolescent. He makes mistakes, a lot of them, and he is not likeable through the first part of the trilogy. This character is realistic but hard to write. Grossman was able to give Quentin humanity and sympathy – which was very tough when his character was best described as a person who has everything: magic, a woman who loves him, a school to grow his talents, a portal to a magical world… and he manages to thoroughly f*ck everything up through his immaturity and inability to take responsibility. That may not be a tough protagonist to make relatable, but he is not the easiest guy to root for – not in the beginning anyway.

One of the main lessons that Quentin needs to learn throughout his journey.
One of the main lessons that Quentin needs to learn throughout his journey.

Writers John McNamara and Sera Gamble have their hands full in handling the pilot of this adaptation. McNamara’s career is long but not filled with any real highlights (Lois & Clark is not something to be proud of). Gamble at least has Supernatural under her belt. It is not a guaranteed failure, but the odds appear stacked against the Magicians being a show on the same level as the book series it is based off of.  I am only hoping to be proved wrong.

 

On a quick side note, how funny is it how much the dialogue has changed on shows?

“Is there a new show coming out?”

“Yeah.”

“Think it will be any good?”

“Well… they’re airing it on cable TV.”

“F*ck! I was hoping for Netflix!”

Yeah Korra's Great, but What Happened to Katara?

Michael Dante DiMartino and Bryan Konietzko deserve a lot of credit. In today’s world of strong-guy dominated entertainment, the pair are responsible for giving children many positive female role models to grow up with. Their first show, Avatar: the Last Airbender, brought audiences strong protagonists like Katara, Toph, and Suki, while at the same time providing an equally strong antagonist in the character of Azula. When the duo moved on to the Legend of Korra, it was hoped that the strong woman trend would continue. The good news is that, for the most part, it has. Legend of Korra has three main strong female characters, one of them being the titular hero, Korra. The other two, Asami and Lin Bei Fong, also feature significant screen time and well developed character arcs. As the series has progressed, more and more women characters have been introduced, and all of them appear fairly well written. Since Legend of Korra is a sequel show, some of the characters from the original have returned as well: namely Katara and Zuko. The sad news is that, the return has not been great.

Katara was one of the main characters in Avatar: The Last Airbender. She is the first character introduced to the audience Throughout the intro it is her voice narrating. She is quickly established as someone who rebels against established gender roles. Within five minutes of the show starting, Katara is calling out Sokka (her brother) for his sexism and dismissive mature towards women.  This character trait continues throughout the series as Katara encounters several situations, most notably her training in the North Pole, which try to place restrictions on her because of her gender. In the face of every challenge, Katara remains defiant. She continually proves the established order wrong and demonstrates that she is as capable as any man.

Katara's fighting abilities grew as the show progressed. By series' end, she was the strongest waterbender present.
Katara’s fighting abilities grew as the show progressed. By series’ end, she was the strongest waterbender present.

As strong-willed as Katara is, it goes hand in hand with her generosity. Simply put, she is written as a character with an incredible sense of moral responsibility. There are several instances in the show where Katara goes out of her way, sometimes at hindrance to herself, in order to help those in need. In her words: “I will never, EVER turn my back on people who need me.”

Wow, you can see why she’s a positive role model. What helps keep Katara balanced is the strength of her nurturing side. In the world today, there seems to be a misconception that a “strong” woman has no maternity instincts, that caring for another only takes away from personal goals. Avatar: the Last Airbender may be one of the first shows (definitely first cartoons) to showcase the strength of caring and being there for another person. There is a power in Katara’s scenes that does not exist in any of Aang’s or Zuko’s.

In my opinion, this is one of the most powerful scenes in the series.
In my opinion, this is one of the most powerful scenes in the series.

All right, so far I’ve been talking up Katara a lot. I wanted to write out the strengths of her character creation. Partly to again give credit where credit is do, and partly to contrast this Katara from the older version that the audience sees in Legend of Korra. Katara, now in her eighties, returns as a minor character in the new show. This would be terrific… if she was anything like the Katara from the first series. No, the strong fighter appears to have traded in her chops for an order of elderly grandma. Good for taking care of toddlers and the sick… but not much else.

Katara.+Not+mine_b3f991_4190460

This is not an attempt to say that Katara should be more involved in Legend of Korra. She states herself at the beginning of the series that her time as a hero of the world is over. Yet there are two instances in particular where Katara’s involvement is strangely limited.

Katara hands off the primary responsibility to a new generation... before vowing to do nothing.
Katara hands off the primary responsibility to a new generation… before vowing to do nothing.

The first occurs in season two, when the South Pole is invaded by the North. Many of the Southerners revolt and there is open fighting in the streets. The North have come on the claim of ‘restoring culture’ and ‘bringing balance.’ The audience watches as many Southern Water Tribe characters fight for their personal freedom and their right to be independent. Sound familiar?

On one level, this is the same conflict that Katara faced in the first series, just on a larger scale. Here is how she reacted in the first show:

Wow, that’s really spirited, and she is just trying to prove her worth against an idiotic custom. I can’t imagine how fiercely she fights for her freedom and the freedom of her entire nation. Here is how she fights back in Legend of Korra:

tumblr_mapbzk5BNA1ra8acuo1_500Yeah, there is none, and time is devoted to showing the Southern rebellion. The audience knows that Katara has stepped out of the spotlight but seriously, the battle is on her front door.

“Well she’s old.”

Yes, Katara is old… and it’s not like old people ever do anything cool or active in these shows…

Except of course for the entire society of cool older people who are actively involved in shaping world events.
Except of course for the entire society of cool older people who are actively involved in shaping world events.

Yeah, that excuse does not fly in this show. Writers DiMartino and Konietzko have done too much with the older generation for “I’m old” to be anywhere close to a valid excuse. Katara did not have to win the battle single-handedly for the South, but it is against her character that she would do nothing.

Instance Two occurs in season three with the appearance of Firelord Zuko. While Zuko’s involvement is little more than fan service, at least he is seen being active (he is supposed to be at least a couple of years older than Katara btw). The head scratcher comes when Korra requests Zuko’s guidance. She is desperate for council from someone at least familiar when a past Avatar and claims that “he knew Aang better than anyone.”

Sure, cause what would Katara know really?

Now there is the argument to be made that Zuko is the person who best knew Aang who is in the immediate facility. This is true, they are not at the South Pole. It is more of a bizarre line than anything else, but it does draw attention to a weird observation: why is Katara staying at the South Pole? When did she get so passive? Her children are actively working to rebuild Aang’s culture… and she’s at home?

Katara is pictured as very frail in the new show. It is a bizarre development that does not seem to come from anywhere, outside the fact that she lost her husband.
Katara is pictured as very frail in the new show. It is a bizarre development that does not seem to come from anywhere, outside the fact that she lost her husband.

“Sorry kids, grandma needs to watch her stories.”

It’s just sad. Somewhere in the script writing, a decision was made that Katara would not be involved. Honestly, as harsh as it would be, it would be easier to believe that Katara had died rather than just become an old grandmother sitting by herself at the South Pole. When the audience is introduced to her, she is directly watching over Korra’s development. What happened to Katara? It is a sad day when one of the most powerful role models for young women is told to go sit quietly in the corner… and actually does so.

While I'm not for this level of involvement, it would be nice to see a happy medium.
While I’m not for this level of involvement, it would be nice to see a happy medium.

What Happened with the Legend of Korra Season Three?

Television is in a strange time. As many report, we have recently entered a second “Golden Age” of television shows. House of Cards, Game of Thrones, Orange is the New Black, Breaking Bad, I could go on and on. Wherever you look, there is a plethora of quality entertainment… except on actual television channels. Yes, what makes the times truly strange is that, despite the killer lineup of quality programming, television as a viewing medium continues to die. It simply cannot compete with internet streaming – and that is before piracy is factored in. There is just no incentive to watch shows on TV anymore. Which would you rather have: commercials or no commercials, binge watching or pre-planned air schedules, tight plots vs. weekly escapes… there really is no contest. It is a strange time and, as networks adapt, bizarre things can happen. So, let’s talk about just what the heck Nickelodeon is doing with its critical hit, Legend of Korra.

For those out there not in the know: Nickelodeon is pulling Korra off the air midway through its third season. Tonight, the eighth episode will air and… that will be it. The final five episodes will only be viewable through digital distribution (find the episodes here). Wait… what?

The bizarre pulling caused a lot of panic amongst the fans of the show. Co-creator Bryan Konietzko posted this image to console the panic.
The bizarre pulling caused a lot of panic amongst the fans of the show. Co-creator Bryan Konietzko posted this image to console the panic.

On the face of it, this is a real head-scratcher. The Legend of Korra is a very story-driven show so this type of disruption will create chaos with the fans and could potentially damage the show’s viewership. Also, it is not like Nickelodeon is enjoying a quantity of quality shows being created at the moment. Korra’s spot is currently being filled by reruns of Spongebob… with reruns of Full House following that…. really, Nickelodeon? So, it must have been ratings, right?

Gotta get my Full House fix! Party like it's 1995!
Gotta get my Full House fix! Party like it’s 1995!

Yes and no.

Season three of the Legend of Korra had the worst premiere ratings of the series. The third season premiere had less than two million viewers, which is a really low number for a season premiere apparently. It really does not look like much when compared with season one’s impressive 4.5 million viewers. However, the low ratings do not necessarily reflect no interest. Consider this: there was no advertising for the Legend of Korra until one week prior to the premiere. Nickelodeon rushed the show out of nowhere in one week.

What?

There is a reason, but it is not a good one. Piracy. The Legend of Korra was not supposed to air so soon in the summer… which really is a bizarre launch window when considered. It is also strange that Nickelodeon would give up all the hype they usually enforce during the San Diego Comic Con (going on now), which is the past has been used to really promote the coming season. Okay, so how did piracy “force” Nickelodeon’s hand?

Legend of Korra is one of the first in the "animated drama" genre, and book three took the series to new heights of maturity, exploring adult themes including the relationship between Lin Bei Fong and her half-sister.
Legend of Korra is one of the first in the “animated drama” genre, and book three took the series to new heights of maturity, exploring adult themes like the relationship between Lin Bei Fong and her half-sister, Suyin.

According to this report, four mid-season episodes were leaked online during production. Rather than dismissing the leak, it seems like someone at Nickelodeon hit the panic button. Oh no, they thought, four episodes that people can just watch online – we better scramble to get our episodes on TV! Rather than let any word of mouth occur or give marketing a chance to build up hype, season three was vomited forth less than two months after the leak. Three episodes, then two, then two… in three weeks over half the season had aired. With only thirteen episodes, that means Nickelodeon intended to spit out the entirety of season three of Legend of Korra in less than two months. How was this plan supposed to work?

In a manner that perfectly highlights the weaknesses of traditional television programming, Nickelodeon shot itself in the foot. Why show Korra at all if it will be done in such a foolish and costly manner? Indeed, that appears to have been the reasoning behind the pull. Should fans be worried about Korra going digital? Not really. Will Nickelodeon cancel Legend of Korra? Not likely but they might. They have already purchased a fourth season and it is unlikely that this season will be held accountable for mistakes made at the network.

Surely nothing bad has ever happened to a great show when the network has screwed up airing it... right?
Surely nothing bad has ever happened to a great show when the network has screwed up airing it… right?

That said, Nickelodeon might balk on purchasing a fifth. It would be its loss, however, and Netflix/Hulu/Amazon’s gain. After all, this action only proves that the future of TV lies anywhere except through traditional broadcasting channels.